Home Again Movie Review Ny Times
A Word With
Reese Witherspoon Knows Rom-Coms Need an Image Makeover
Romantic-comedy heroines tin can seldom have it all. They're either professionally successful and unlucky in love, or great with the kids and unfulfilled at work or in the chamber.
Simply in "Home Again," a comedy due Sept. viii, Reese Witherspoon is a walking empowerment meme, complete with a wardrobe of pristine white blazers: she'southward a newly separated twoscore-yr-old, the female parent of two precocious girls who starts a promising career equally an interior decorator and shacks up with a hot 27-year-onetime.
"Information technology never would have even crossed my mind that she couldn't exist all those things," the author-director Hallie Meyers-Shyer said, adding, "That wasn't my experience growing upwardly."
Ms. Meyers-Shyer, 30, is the daughter of two filmmakers: Nancy Meyers ("It'south Complicated") and Charles Shyer ("Baby Boom"). She spent her formative years on motion picture sets, before making her directing debut with "Home Again." (Nancy Meyers served every bit a producer.)
"In certain ways, Hallie knows more about the movie business than I do," Ms. Witherspoon said.
Ms. Witherspoon, 41, has lately taken a large leap as a filmmaker herself, starting a product company to focus on projects led past women, with hits similar "Wild," "Gone Girl" and, earlier this year, the HBO mini-series "Large Niggling Lies," about mothers in wealthy Monterey, Calif., that starred Ms. Witherspoon and Nicole Kidman, amongst others. (A follow-upwardly is being discussed with Liane Moriarty, the author of the novel on which it'south based, Ms. Witherspoon said.)
Speaking by phone from her Los Angeles dwelling — and pausing briefly to greet Tennessee, the youngest of her three children — she spoke passionately about the changing roles for women on screen and how she wants to be a part of that alter. These are edited excerpts from the chat.
Here'southward a twist: Your grapheme in "Home Over again" has a hot and heavy romance with a younger homo, and she doesn't even apologize for enjoying it.
I don't know that I've ever seen that on film in a way that the woman'due south non some sort of creepy predator. She's actually just a woman and she's highly-seasoned to a 27-yr-former guy. I thought, why practice we continually see this with leading men, but nosotros never run across a woman in this position? I've dated younger guys, merely I just never saw a motion-picture show nigh it.
It merely underlined to me that we need more perspective in motion picture, we need to have dissimilar voices telling these stories. Otherwise how does society change? How do we change the conversations we're having if we're hearing stories from the same voices over and over again, or the same demographic'southward voices?
Why do you think the romantic one-act has fallen out of favor as a genre?
The romantic comedy as it existed 15 years ago simply isn't feasible. I recall people know that every life doesn't take a happy ending, and they're not going to be force-fed some idea of what romance is. Also, people know their lives aren't necessarily divers by one romantic human relationship solving all their bug. So in that location's that reality check. Merely I don't recollect of this as a romantic comedy, I retrieve of it equally a modern comedy. It'southward those life decisions that change the course of human experience, and a adult female'due south feel, that are just as big in scope and as profound as any kind of big thriller pic. Because we've all faced those decisions.
Aside from "Legally Blonde," your career hasn't been sequel-driven. How does it experience to accept fans clamoring for another season of "Big Trivial Lies"?
Nosotros had no idea at that place was going to be such a reception for it, and information technology'due south just been fantastic. I call up people really want to see older women on film, women working together on movie. I've never had an opportunity to work with my contemporaries in that mode — we all had leading parts, and got to dive deep on character. They should exist making more shows similar that.
Do you become into studio meetings now armed with data to show how much demand there is for this programming?
Sometimes! It's empirical data that in that location's an audience at that place, and they want to meet programming with women in it, of all ages and of every color. Even the responses from other women in the industry were like, "Yes!" They were writing Nicole and I constantly, going, "This is amazing! Can I be in it next time?"
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What other character types would you similar to meet change on screen?
I was with Mindy Kaling today, and we were talking near women of colour onscreen, just not seeing people. I but don't see Asian characters on screen that look the style any of my Asian friends await or talk, with the exception of one or 2 shows. Latina characters. That kind of misrepresentation is always and then curious to me. There's a lot of stuff that just doesn't reflect reality, and I think audiences are looking for a little more truth. They still want storytelling and fantasy, escape, only I think there's still room for the world to reflect what they see in their everyday lives.
Think near all the fiddling girls. What movies are they going to? It really worries me! And little boys, too. You lot never see a girl starring in her own motion picture? That'due south weird to me.
I grew up with Holly Hunter and Debra Winger and Diane Keaton and Goldie Hawn. Where are the women who are the stars of their own movies, those comedies that you picket 15 times?
On cable, until you can quote every word.
I watched every Meg Ryan movie. Information technology was similar an consequence when Meg Ryan had a motion-picture show coming out. What comedy person is that now? At that place's definitely an evolution that needs to happen. When I call back well-nigh petty girls and what they see, it makes me want to become up in the morning and work harder.
Source: https://www.nytimes.com/2017/09/03/movies/reese-witherspoon-home-again-younger-men.html
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